Fine line, stipple, greywash and solid black, on forearms, shoulders, ribs and above the knee. Each caption says what the technique is and where it sits.
Scale and placement get settled in the shop rather than over the phone. A design that works on paper often has to move before it works on an arm.
A standing figure, shaded in dense short line rather than smooth grey.
Clock face, Roman numerals, gears open behind the dial, one eye set into it. Tone throughout, almost no outline.
Stipple inside the petals, hard outline on the leaves. The stem runs the length of the arm, not across it.
Wings built from dots rather than solid grey, eye patterns picked out in fine line. One thin line trails over the knee.
A mesa, a saguaro, agave, two open desert flowers. The rock face is dotted top to bottom, with no solid grey in it.
A thunderbird inside a toothed border, a stylised bull under it. The banding follows the curve of the deltoid rather than cutting straight across. Skin is the second colour.
A snake wound through open magnolias. Petals stippled soft, the snake held to a hard edge.
An Urdu line above English cursive. One hairline weight throughout, no thickening on the downstrokes.
Every piece here was drawn for one person. Call and describe what you are after. It gets drawn from scratch, with you, and changed until it is right.
“the incredible work you see is what you will get.” Dr. Steel · Google review